|
EQ Setup for the Behringer DSP-1100P and 1124P
For
those who are still using this equipment
I am going to be
quite simplistic on describing how to do the programming but it may save
you some headaches. Assuming that the Behringer 1100P or 1124P is in a
rack of some kind, and cabled up correctly, proceed as follows. Press the power
button on the right side of the
unit. The lights should come on and the display Labeled "DUAL
ENGINE PROCESSOR" will read
" - - ". This symbol indicates that the unit is in the same
status as putting the unit in pass through. No equalization or other
functions of the unit are online. If another number appears in the
display, don't worry about it, just turn the large black knob with the
finger hole in it until the number 1 appears. You can start programming on
any number but for this example we will start with number 1 or what we
will call our program number 1. It is the same thing. As you turn the
knob, there is a little dot at the bottom right of the number in the
display. This tells you that the program is loading and is not ready to
operate until the dot goes away. There may be several lights or no lights
lit in the area of the display labeled " 24 FB-D Parametric Filters".
Each lit segment represents one of the 12 filters available on each level.
You can use from one to all of these filters.
The first thing
you want to do it to shut all filters off so we can start programming
program 1 as we like starting at ground zero with all filters off. To do
this select the first filter of program 1 by pressing the filter select key.
As keys are pressed they light up.
Press the filter
mode key and look at what mode the
filter is currently in. There will be an indicator of the status of the
filer displayed in the little window. Move the finger knob either
clockwise or counterclockwise until you find the "OF", without
quotes, for OFF mode. When you make the change to OF the red store light
will start to flash. Press the red store key twice and the first filter in
program 1 should be OF for OFF and indicate so by the shutting off the
light on the display. Press the filter
select key
again and move the finger knob until a 2 is displayed. Again press the filter
mode key
and turn the finger knob until the OF is displayed. Press the store key
twice and continue this procedure until all the filters are off and there
are no lights displayed on the filter display. There is an easier way to
shut off all current filters in a program, it involves storing the
filters in program "- -" to the new program, but use the method
I gave you to get used to the functions keys. The other method is to go to
"- -" position on the unit and press store once. Now rotate the
big black knob to any open program you are not using but want to program.
Once the little light in the right bottom of the display goes off press
the store key twice and all lights in the filter area should be out and
you can start programming. There is the possibility that when you
select program number 1 that all the filters are off, but use this
procedure to make sure they are. You will learn later that you can just
change the parameters of filters without shutting them off first, but
doing this little exercise will get you used to moving the big finger knob
and selecting between the filter
select key and the filter mode
key, and give you a little
confidence that you can at least do a little programming on the unit. Once
you press the store key twice, the changes are kept in memory and you will
not have to reprogram them again.
Now we are ready
to enter a program of our own. None of the buttons/keys are time
dependent, so don't feel pressured to do anything until you are ready. In
this write up, I use both words key and button, they mean the same thing.
You can't really hurt anything, other than
having to go back and maybe reenter some commands. Now, I will tell you
the sequence of what buttons to push and then I will give you a table of
what I put in each button. When you start making changes to a program, the
red store light will start to flash. You don't
have to press the button twice until you are all done programming for a
program. Not even between filters just at the end when you feel you are
done with a complete program. Of course it does not hurt to press it
anytime.
Press the filter select
button
again. and make sure the display says 1. Press the filter mode but
this time turn the finger knob until the letters PA for Parametric is
displayed. Now press the Frequency button
and turn the finger knob until the amount as indicated for frequency I
have listed in the table below is found in the display. Press the Fine
button
and enter the corresponding number from the table below into the display.
The Bandwidth and then the Gain with
the numbers again as indicated in the table below. Now do press the store button twice and a red light on the
24 FB-D display should be on. You have programmed filter 1 in program 1.
Now
press the filter
select button and turn the finger
knob to 2 and repeat the same procedure as above using the table below for
each button and then press store twice. Continue this procedure until
all filters you desire are entered. In my program I use all 12 filters, in
this example but you can use as many or few as you want. I enter this all
into Engine L or left channel, but you can just as
well use Engine
R or
the right channel. Of course then you would have to have cabled to the
input and output of the right channel. Be sure that the IN/OUT light is on
and green.
That's all there
is to programming. If you want to do another one based on the one you just
did, put the finger now on program 1, remember the little dot will light
when you change from one program to another. Hit the store
button once, move the finger knob to
another empty program like 4 for example and hit store twice. Now you have a copy of what
was in program 1 stored in program 4. You then can modify this program and
if you don't like it go back to 1 and use it or restore it into the same
or other slot and do your modifications again. Remember to keep a good
paper or computer record of what is programmed in each program so you can
go back and reenter it if needed.
Now the table of what I
have in each area. Remember this is for my environment and may not fit
you, but it will get you started. These settings are for the Yaesu
FT-1000MP. A Kenwood table will be found in the Kenwood setup section of
this page.
An EQ That works on a FT1000MP
for me.
You may have
to make changes after you first get this one going. Again
remember, this EQ is for me and you may sound bad using it. I give it here
as a starting point and you may want to play with it to make your audio
sound the way you want. This table was last updated on 3/21/04. You may
want to reduce the gain on the lower end. Items marked in red and ****
represent fairly significant changes.
I am using a Heil gold line pro
with this EQ. This is a starting point for the FT1000MP and you will have
to work with it to match your voice and other equipment.
| FILTER # |
MODE |
FREQUENCY |
FINE |
BANDWIDTH |
GAIN |
|
| 1 |
PA |
63HZ |
+5 |
70 |
+14 |
**** |
| 2 |
PA |
125HZ |
+3 |
60 |
+3 |
|
| 3 |
PA |
160HZ |
-3 |
120 |
-25 |
|
| 4 |
PA |
200HZ |
+3 |
60 |
-3 |
|
| 5 |
PA |
320HZ |
+1 |
40 |
+1 |
|
| 6 |
PA |
400HZ |
+6 |
60 |
-15 |
|
| 7 |
PA |
800HZ |
+1 |
40 |
-1 |
|
| 8 Watch the decimal
point |
PA |
1.0KHZ |
+1 |
5 |
-5 |
|
| 9 |
PA |
100HZ |
+0 |
60 |
-3 |
**** |
| 10 Watch the decimal
point |
PA |
2.0KHZ |
+1 |
45 |
-3 |
|
| 11 Watch the decimal point |
PA |
1.6KHZ |
-3 |
5 |
-6 |
**** |
| 12 Watch the decimal
point |
PA |
3.2KHZ |
+0 |
5 |
+1 |
**** |
|
|
Kenwood TS850/DSP-100
An EQ for the Kenwood
TS-850SAT that works for me
These are my current EQ
settings using the equipment that I now have in my chain. Try both and see
if they work for you. Updated 4/15/04
| FILTER # |
MODE |
FREQUENCY |
FINE |
BANDWIDTH |
GAIN |
|
| 1 |
PA |
40 HZ |
+0 |
90 |
+14 |
|
| 2 |
PA |
50 HZ |
+0 |
90 |
+13 |
|
| 3 |
PA |
63 HZ |
+5 |
90 |
+13 |
|
| 4 |
PA |
63 HZ |
+10 |
60 |
+13 |
|
| 5 |
PA |
100 HZ |
+0 |
40 |
-8 |
|
| 6 |
PA |
125 HZ |
+0 |
60 |
-9 |
|
| 7 |
PA |
160 HZ |
-3 |
120 |
-40 |
|
| 8 Watch the decimal
point |
PA |
.25 KHZ |
+0 |
60 |
+7 |
|
| 9 Watch the decimal
point |
PA |
.50 K HZ |
-2 |
60 |
-9 |
|
| 10 Watch the decimal point |
PA |
.80 K HZ |
+0 |
60 |
+8 |
|
| 11 Watch the decimal point |
PA |
1.60 KHZ |
+0 |
5 |
+3 |
|
| 12 Watch the decimal
point |
PA |
5.0 KHZ |
+10 |
5 |
+7 |
|
|
|
This is the original EQ
before I got the new microphone and preamplifier. This is an EQ that is
pretty standard for most guys running the TS850 and DSP-100
| FILTER # |
MODE |
FREQUENCY |
FINE |
BANDWIDTH |
GAIN |
|
| 1 |
PA |
50 HZ |
0 |
30 |
+13 |
|
| 2 |
PA |
160 HZ |
+5 |
120 |
-15 |
|
| 3 Watch the decimal
point |
PA |
.80 KHZ |
-9 |
120 |
-12 |
|
| 4 Watch the decimal
point |
PA |
1.60 KHZ |
0 |
45 |
-5 |
|
| 5 Watch the decimal
point |
PA |
6.3 KHZ |
-3 |
15 |
+12 |
|
|
|
Top
of Page
|